Group Tour: Evening Stroll Through Dubrovnik's Old Town

Following an earthquake on 17 May 1520, which killed about 20 people and damaged many buildings in the city, the local Senate which governed Dubrovnik Republic commissioned a new church as a sign of gratitude for sparing the city from even bigger destruction. The monumental inscription above the main entrance on the front facade testifies to this. Designed by the architect Petar Andrijić from Korčula, construction started in 1520 and the church was completed in 1528. The church has one nave with a Gothic-cross-ribbed vault. The lateral windows are also Gothic with the typical pointed arches. Nevertheless, the main facade with the Renaissance elements on the portal and the three-leaf semicircular top as well as the semicircular apse reveal a recognizable Renaissance style. Interior of the St. Saviour Church In 1667 Dubrovnik was hit again by a disastrous earthquake which killed some 5,000 citizens and destroyed much of the city.

The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696.

Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans were too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat.

This building was largely destroyed in the earthquake of 1667. The Senate of Dubrovnik appealed to the Italian architect Andrea Bufalini of Urbino, who sent a model for the new church in Baroque style with a nave, two aisles and a cupola. Several other Italian architects including Francesco Cortese (present from 1669 until his death in 1670), Paolo Andreotti of Genoa (present 1671-1674), Pier Antonio Bazzi of Genoa (present 1677-78), and friar Tommaso Napoli of Palermo (present 1689 - 1700), all working with local and imported stonemasons, completed the Cathedral over the next three decades. Napoli made several crucial changes to the original plans including the use of a cross vault and the opening of large thermal windows at the upper level. This gives the whole interior a lighter and brighter feel. The style of the cathedral is in keeping with the esthetics of Roman Baroque architecture as practiced by Bernini, Carlo Fontana and their 17th century contemporaries.